As solo outlet for Carl Johns—leader of Wisconsin countryites NoahJohn—Charlemagne allows him the freedom to break the slow-shuffle shackles and explore pop. The headlong skip of "Dawn Upon" is typical, its happy quick-step framing a tale of a man tormented by moonlit visions of a lost love.
Imagine if the Doors, The Byrds or Love had, long after their late '60s heyday, reconvened to record a quartet of brilliant albums, the first a double LP of classic, even epic, proportions issued just months before punk broke.