On the intro tape, Johnny Cash's austerely remorseless "The Man Comes Around" sets the mood, then Colin MacIntyre's men come pounding out of the traps. For this mini tour, the school choir, feather boa and inflatable sheep of previous expeditions have been packed away, in favour of frill-free punk aggression.
Someone seems to have decided that Ashley Judd and Morgan Freeman are a marketable team, and their umpteenth crime thriller together is brought to you by the estimable Carl Franklin. Judd's a perky lawyer whose husband (a wooden Jim Caviezel) may or may not be a mass murderer. Freeman's an amusing drunk, but sadly the plot's the last word in generic, and the 'twists' wear neon signs on their heads.
Whoo hoo! Ridley Scott's timeless sci-fi noir classic gets handsomely packaged in an impressive box set along with lobby cards, original 35mm frame, script book and poster Definitely Harrison Ford's finest hour, tracking Rutger Hauer and his band of existential Replicants through a neon-and-rain-soaked future LA. Peerless.
