Reviews

Sam (Jonathan Pryce) dreams of love and escape from his clerical job in a monolithic bureaucracy, but finds himself sucked ever deeper into a Kafkaesque nightmare. Michael Palin and Robert De Niro play brilliantly against type, while Terry Gilliam's dystopian vision broke the mould. Dazzling, disturbing, darkly comic and downright essential.

Tough trad Detroit garage. Recent touring partner Jack White was once a member

Young Dublin five-piece capture sound of summer on West Coast-fixated debut

Second album from French four-piece sets this year's pop gold standard

Sleazy, nihilistic classic returns uncut

Though it didn't burn up the box office during its theatrical release, Danny Boyle's jittery zombie flick is actually a far more satisfying small-screen experience. Gone is the distracting texture of large-scale digital video, and gone too is the weight of expectation (will it be better than The Beach?). Instead, the movie simply plays as it is—a brashly original post-apocalyptic B-movie.

Written by Joel Schumacher, Car Wash traces a day in the life of the Dee-Luxe car wash in smoggy downtown LA circa 1976. Part blaxploitation comedy and part Altman-esque ensemble drama, the huge cast includes Antonio "Huggy Bear" Fargas and, in a brief cameo, Richard Pryor. Norman Whitfield's score is a trash classic, but the story's muddled and full of dated caricatures.

Anthony Hopkins completes his Hannibal Lecter set with this remake of Michael Mann's Manhunter (1986). It's more faithful to Thomas Harris' novel, but a lot less stylish, and the performances are uniformly worse: Ed Norton is merely adequate as the empathic FBI detective, while Ralph Fiennes is positively wooden as serial killer Francis Dolarhyde, and even Hopkins is below par.

Difficult third album dilemma quashed by slow-burning Madison, Wisconsin quintet

Pop fun from Neko Case's twang-free other band