Reviews

Uber-twee quartet who once sold songs to Dawson's Creek join Saddle Creek for second album

Blaxploitation movies were suddenly so hot in 1972 that it was deemed a smart idea to bash out—as the title may have tipped you off—a black vampire chiller. It wasn't. It was horrible, in unintended ways. But Gene Page came up with a very appetising soundtrack, which you could happily stick on between Isaac Hayes' Shaft and Marvin Gaye's Trouble Man without anyone noticing too drastic a drop in class.

Disco punk debut from ex-Stereo Total bassist includes cameo from Gonzales

Belated UK release for the little guy's jazz-gospel extravaganza

Solo albums from James Brown's horn section, produced by George Clinton

British trip hoppers curate latest editions of successful compilation series

Gospel singers praise Bob, with bonus visitation by the man himself

Uncompromising tale of crime and punishment

Another self-regarding screenplay from Andrew (The Truman Show, Gattaca) Niccol, but Al Pacino is on hand to paper over the concept's cracks. A director whose prima donna (Winona Ryder) walks out, he simulates virtual actress S1mOne ("hmm, less Streep, more Bacall"), who becomes a global superstar. Could go further, but the comedy's smart and the acting, ironically, is great.

A unique musical relationship caught in close-up