Reviews

Fifth album from Austin, Texas quintet

Rock'n'soul action from vocalist Shawn Smith and Pearl Jam's Stone Gossard

Two from Brighton's FatCat, fast shaping up as one of UK's leading independents

Lisa Gerrard, spiritually intense wailer and ex-Dead Can Dance member is, we'll wager, no close relation to Steven Gerrard, the Liverpool midfielder. But you never know. She's gone all Maori on us here for a New Zealand indie film, and aren't they the fellas who do those scary war-dance routines before playing thug-ball, or rugby, or whatever it's called? Lisa, after working on Gladiator, Ali and others, is now a big Hollywood soundtracks player, which is comically absurd but blissfully reassuring.

First time on CD for post-Morrison freakout album recorded in California

Compilation of mail-order metapop from people who brought us the Langley Schools Music Project

White lies at fall of the Berlin Wall

Must-see documentary puts Britpop in wider context

Siouxsie as a punk Monroe? Not quite, for despite the title, she looks more like a goth version of Marlene Dietrich in her pin-stripe suit. The jacket and tie later comes off to reveal a glittering bra as she works her voodoo on aged punks and new hedonists on the Banshees' 2002 reunion tour. Oldies such as "Spellbound", "Peek-A-Boo" and "Happy House" have lost none of their theatrical power and are augmented by one new track, an extraordinary version of The Beatles' "Blue Jay Way".

Stunning punk-prog produced by Rick Rubin, featuring Red Hot Chili Peppers Flea and John Frusciante. Band "sound manipulator" Jeremy Ward, 27, was found dead on May 25