Reviews

The Ace Of Cups – It’s Bad For You But Buy It!

Girl on girl action in the San Francisco style. Get in.

The Last Kiss

Thirtysomething with Italians

Seabiscuit

That rarest of things: a film about a racehorse that'll run and run. In the mid-'30s, Seabiscuit was an unlikely loser turned winner, trained by a too-tall jockey (Tobey Maguire), a distressed millionaire (Jeff Bridges) and a jaded cowboy (Chris Cooper). Gary (Pleasantville) Ross, who also wrote, directs the three actors (and the horses) without excessive mushiness.

Dreamcatcher

Oh dear. This blue-chip Stephen King adaptation (written by William Goldman, directed by Lawrence Kasdan) starts well but then transforms into an unwatchable mess. One of those terrible movies you just have to see to figure out where it went wrong. Highlights: fine ensemble work from Thomas Jane, Damian Lewis, Jason Lee and Timothy Olyphant. Lowlight: Morgan Freeman's worst ever screen performance.

Bad Boys 2

As most high-minded critics were correct to point out on its cinema release, Bad Boys 2 is crude, noisy, relentlessly violent and often in the worst possible taste. Did they also mention that it's ridiculously entertaining, with hilarious turns from Will Smith and Martin Lawrence, and that when it comes to putting on this kind of show, director Michael Bay displays an unstinting genius for widescreen mayhem? Probably not.

The Constantines – Shine A Light

Tough-guy hardcore from Guelph, Ontario

Various Artists – You Bet We’ve Got Something Personal Against You

Double CD of noirish electro-pop announces a new wave of credible Dutch dance

Various Artists – Money Will Ruin Everything

Survey of the Norwegian avant-garde

Ilya – They Died For Beauty

Sleek debut from Bristolian trio

Peter, Paul & Mary – Carry It On

Wholesome, Dylan-loving folkies reassessed over four CDs Every bit as manufactured as any modern pop band, Peter, Paul & Mary were svengali manager Albert Grossman's attempt to capitalise on the success of The Kingston Trio, late-'50s progenitors of neatly-pressed folk music, whose 1958 chart-topper "Tom Dooley" kickstarted the folk revival. Cannily realising the potential of an equivalent folk trio featuring a sexy blonde, Grossman assembled solo folkie Peter Yarrow, stand-up comic Paul Stookey and off-Broadway actress Mary Travers, and was rewarded with instant success.
Advertisement

Editor's Picks

Advertisement