Reviews

The Guess Who – Anthology

You ain't heard nothing 'til you check out crazy Canuck Randy Bachman

Sue Thompson – Suzie: The Hickory Anthology

Overlooked cuts from pop-country gal with the "itty-bitty voice"

Son Frère

Harrowing death drama from Intimacy director

The Tempest

Derek Jarman's 1979 version of Shakespeare's final play is suitably 'camp' and 'punk', starring Toyah Willcox and Heathcote Williams, and culminating in Elisabeth Welch singing "Stormy Weather" to a bunch of jolly sailors. It's visually flamboyant and wants badly to be sexy, but it's aged dreadfully, and its shock tactics seem a bit silly now.

Scorpio

Michael Winner's 1972 Cold War thriller manages to be built entirely from clichés, yet is almost completely incomprehensible. Burt Lancaster is the seen-it-all CIA man on the run through Europe from superiors who want him dead, pursued by his protégé, cat-loving contract killer Alain Delon. Muddy, but the stars tough it out, and if you've ever wanted to see Lancaster in blackface, dressed as a priest, this is your film.

The Torture Never Stops

Zappa's late-'70s antics and muso wanking redeemed only by sexy claymation

Gary Jules – Trading Snakeoil For Wolftickets

Freak chart-topper proves he's no one-trick pony

Kid Rock

Latest album from lowa-based erudite John Darnielle

Future Pilot AKA – Salute Your Soul

Glasgow driving instructor's eclectic love-in

Requiem For A Dream

Imagine if the Doors, The Byrds or Love had, long after their late '60s heyday, reconvened to record a quartet of brilliant albums, the first a double LP of classic, even epic, proportions issued just months before punk broke.
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