Reviews

Touching The Void

Already a boys' own classic, Kevin MacDonald's award-winning doc about two foolhardy Brit mountaineers scaling the 21,000ft Andean peak of Peru's Siula Grande is almost hideously gripping. Brilliantly paced, Touching The Void re-enacts the climb—and the descent, more to the point—with actors Brendan Mackey and Nicholas Aaron. But much of the drama lies in the memories of climbers Joe Simpson and Simon Yates, the interviews with whom are candid and vulnerable.

Pasta Perfect

Alex Cox, maverick writer-director of Repo Man and Walker, on a newly extended version of Sergio Leone's epic

Deadstring Brothers

Emerging in 2001, these Detroit brothers lash the hard-livin' loucheness to traditional country ache. Frontman/songwriter Kurt Marschke's wail is Jaggeresque and there's lonesome balladry aplenty ("27 Hours", "Such A Crime") plus enough "Happy"-like fretwork to suggest what might have been had Gram'n'Keef really got it on. "Entitled" pits the sideways chug of The Breeders' "Cannonball" against early Replacements sneer, and dobro/pedal steel player Peter Ballard tints the big skies with a yearning airiness. Seriously impressive.

Automato

New York sextet release their hip hop debut, produced by feted duo DFA

Anna Domino

1986 album from Tokyo-born but US-based singer-songwriter

Elvis Presley – Ultimate Gospel

The King's penance ignored

Les Diables

Disturbing French incest-and-insanity shocker

The Draughtsman’s Contract

Peter Greenaway's period piece concerns a 17th-century draughtsman (Anthony Higgins) who agrees to make a series of drawings of her country estate for an aristocrat's wife (Janet Suzman) in return for sexual favours. Part picture puzzle, part murder mystery, it's undeniably stylish and intriguing, but also totally unerotic and bleakly existential.

Laurel Canyon

Coolly stoned record producer Frances McDormand struggles to be a responsible role model for her uptight son Christian Bale and his sexually frustrated wife Kate Beckinsale, while shagging cheeky Britpop 'star' Alessandro Nivola. Though the music's great (Mercury Rev, T. Rex, Roxy), Lisa Cholodenko's languorous movie is more about the gaps in relationships than the rock'n'roll world.

Dark Side Of The Moon

The Orrible Oo's classic video jukebox rockumentary gets a 25th anniversary makeover
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