Reviews

The Cramps – How To Make A Monster

Psychobilly sickos' flotsam compiled

The Missing Link

The British Todd Rundgren explores his soft-rock roots

Hugh Cornwell – Beyond Elysian Fields

Fourth solo disc in new career that's almost as long as his old one

Meat Loaf With The Melbourne Symphony Orchestra – Bat Out Of Hell Live

Pomp-rock Phantom Of The Opera refuses to die

Wu-Tang Clan – Disciples Of The 36 Chambers: Chapter 1

Live album recorded earlier this year in California

Martin Carthy – Waiting For Angels

Inspired, quietly confident mix of traditional folk with modern trappings

The Charlie Chan Chanthology

Sadly not the classic'30s capers starring Warner Oland as the philosophical Chinese detective but those of his replacement Sidney Toler after the Chan franchise had been sold off to the poverty-stricken studios of Monogram. Of the six films here, 1944's mildly diverting chess murder mystery The Chinese Cat is the best of an admittedly ropey bunch, which also includes Meeting At Midnight and The Jade Mask.

The Woody Allen Collection

FEW ARTISTS IN ANY MEDIUM?Bowie, maybe, or Scorsese?enjoyed such a terrific'70s as Woody Allen. This box comprises every comedy that Allen wrote, directed and starred in from 1971-'79?save 1972's Play It Again, Sam and 1978's psychodrama Interiors, neither of which are included here. Bananas was his second auteurist venture (1969's Take The Money And Run being the first) and saw him fusing the wisecracks of Bob Hope and slapstick of Buster Keaton to create this immortal nebbish New Yorker who bears as much relation to the real Allen Konigsberg as does Dylan to Robert Zimmerman.

The Forgotten

Julianne Moore thinks they're all out to get her

Led Zeppelin – A To Zeppelin: The Unauthorised Story Of Led Zeppelin

Passport have secured neither the band's help nor their music rights, although they provide some irresistible highlights, specifically a TV appearance by the pre-pubescent Jimmy Page and excerpts from a John Bonham interview. Misty old chats with Zep members and Peter Grant are bolstered by the contemporary perceptions of Jeff Beck, Roy Harper, Terry Reid, Chris Dreja, Simon Kirke and Richard Cole. Carol Clerk
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