Reviews

One-time Ed Kuepper cohort Hancock has been in various Australian bands since the '80s, and it shows across her maturely enthralling solo debut, on which she sounds like a less fractured Marianne Faithfull. Backed by a fine band who effortlessly blur the boundaries between rock, folk and jazz, her own compositions are marked by arresting observations on the war of the sexes. Yet best of all are her extraordinarily haunting covers of David Crosby's "Everybody's Been Burned" and, more improbably, Joy Division's "Love Will Tear Us Apart" done country-rock style.

Fine Godspeed-like soundscapes from Montreal collective

Will Oldham-influenced alt.country from Brooklyn

Unremarkable second LP from corporate-minded Californian rockers

Leland, Mississippi blues legend still sounding as freshly minted as ever

The Electric Slide Guitar King's boisterous re-recordings of '50s sides

As everyone knows, glam rock in the UK was begat by Bowie, Bolan and Ferry, then ruined by bandwagon-jumping brickies in mascara. Well, yes and no—some of this rubbish was great fun, as compilers Bob Stanley and Phil King hereby recognise. And while the correct response is probably to chuckle at its tackiness, some of us, behind closed doors, will be punching the air and stomping along with surreal enthusiasm.

Gastronomical German chick flick

Daft knockabout comedy of theatrical rogues

Directed by Jimmy Page, it took a year of intensive research to assemble this five-and-a-half-hour digital re-tooling of the Zeppelin legend. Previously, the only officially-sanctioned live footage was the 1976 film The Song Remains The Same. Here, a trawl of the band's own unreleased archives combines with reclaimed bootleg material to tell the Zep story in chronological fashion, via 30 performances from four memorable concerts—the Albert Hall (1970), Madison Square Garden (1973), Earls Court (1975) and Knebworth (1979).