The Suffolk festival will see Arcade Fire, Jarvis and Mark Lanegan all appear

Last night, we went feral in the woods. It’s not often you see your editor at a rave, and a rave in the woods at that, but last night UNCUT’s Allan Jones was getting down with the kids to all manner of dub-step and breakbeat classics. And he didn’t even mention Nick Lowe until 2.40 in the morning.

Rodrigo Y Gabriela bring another brilliant day to an end - catch up here

It's been a night of being proved wrong, for me at least, at Latitude. As I'm walking across the site, I can hear The Good, The Bad And The Queen, and they sound really good. I'd previously pegged them as a rather self-conscious trip into psychogeography and musicianly fandom for Damon Albarn. But here the overworked fug clears and the elegaic true quality of the songs - and those Simonon basslines, of course - comes to the fore.

Damon Albarn, being something of a native as he hails from nearby Colchester, closes tonight's set by The Good, The Bad & The Queen by displaying his intimate knowledge of the A12. It's perhaps not the most rock 'n' roll way to end a festival, but then The Good, The Bad & The Queen aren't necessarily going to play by the rules.

The Good, The Bad and the Queen close Latitude day two

As if the nicest festival couldn't get any happier

Saturday night at Latitude. Another festival, another field, and another show-stopping performance from those bouncy Brazilians CSS. Which means another winning mix of weapons-grade disco sarcasm, sloppy-sexy funk and stoopid-kool attitood.

At some point in the last few years, Rickie Lee Jones appears to have subtly evolved from the Duchess Of Coolsville into a spiritual, raging poet-figure who comes across like a West Coast counterpart of Patti Smith.

But there's no Chuck E's In Love