It’s All About Love – First Name

Zbigniew Preisner (there's one for the Scrabble match) is Poland's film music god, having scored Kieslowski's Three Colours and Dekalog. His work here for the overblown, befuddled Thomas Vinterberg turkey is tastefully shimmery, and strident only when necessary. Perhaps he could lease it out to an infinitely superior movie, which shouldn't be hard to find. Among Vinterberg's hilarious sleevenotes is a ludicrous boast: "It's all in the film... including an excellent song I wrote. It is in Latin, and just as there are seven days, there are seven words in the song.

Ruling Class

Ten years in, Colorado five-piece deliver career-defining album

Goldie Lookin Chain – Greatest Hits

Welsh shellsuit devotees marry scatological humour to hip hop

Brooks – Red Tape

Dark, ambitious second album from fast-rising Derby producer

Donovan – Beat Café

Return after eight years' silence from '60s legend

This Month In Soundtracks

Jim jarmusch's imminent set of dryly comic vignettes, filmed over the course of a decade, will pitch him to a new generation, as it features Jack and Meg White, Wu-Tang Clan (RZA scored Jarmusch's last film, Ghost Dog) and Steve Coogan among its cast. One of the better sequences sees Tom Waits and Iggy Pop mock-bickering over who's more famous, and both contribute to this studiously cool soundtrack.

The Ramones

Final four studio albums from da Brudders, with bonus tracks

Procol Harum – Live At The Union Chapel

Recorded last December at the end of the 2003 world tour, it's spooky watching Gary Brooker singing "A Whiter Shade Of Pale" so many years after it scored 1967's summer of love. Yet his voice hasn't altered one iota. A third of the 21 tracks come from their 2003 album, The Well's On Fire. But it's old favourites like "Homburg", "Shine On Brightly" and "A Salty Dog" that command all the attention.

Mac Nuggets

Uncut recounted the tale of Fleetwood Mac's improbable reunion at length in May last year (Take 72). Now come two DVD releases commemorating the resumption of rock'n'roll's longest-running soap opera. Live In Boston is a straightforward concert film shot in September 2003 on their first tour in five years. The band clearly miss Christine McVie, the only member of the classic mid-'70s line-up not to participate, and on one level, they offer up stadium rock of the blandest kind.

The Butterfly Effect

Comedy punk heartthrob Ashton Kutcher's attempt to go 'serious' isn't as bad as it's been made out, though it owes plenty to every other go-back-in-time thriller. Vague chaos theory allows our boy to change his past and try to realign relationships with his father and his beloved Amy Smart. But things fall apart, and the mysticism's mystifying.
Advertisement

Editor's Picks

Advertisement