Directed at mercilessly cool, wickedly tense pace by René Clément, the original 1960 French adaptation of Patricia Highsmith's The Talented Mr Ripley pisses from on high all over the Anthony Minghella remake. As Ripley, the ambiguous sociophobe planning to steal dissolute playboy Maurice Ronet's life in a blazing Mediterranean, Alain Delon has never looked so much like a saint made of ice. Delon versus Matt Damon? Where's the contest?

Given short shrift by most cinema critics, Robert Benton's flawed adaptation of Philip Roth's novel is wonderfully acted by two stars who've been praised for far inferior performances. Anthony Hopkins is the professor sacked for alleged political incorrectness; Nicole Kidman the damaged younger woman with whom he enjoys "not my first love, not my great love, but my last love." Both risky and tender.

Wong Kar-Wai's quirky, impressionistic Hong Kong masterpiece reissued

A landmark in the development of the doomed anti-hero, Julien Duvivier's timeless 1936 proto-noir made an icon of Jean Gabin, playing Pépé, the legendary French gangster exiled to the baroque, shadow-strewn purgatory of the Algerian casbah. Falling for a female tourist, he decides the time's come to break for home, but the cops are waiting. Still surprising, tough and casual, it sashays the line between cynicism and romance like few others.

Excellent, thought-provoking love triangle drama, with Mark Ruffalo for once living up to his overcooked reputation. He's entwined in a threesome at college, but years down the line all the participants have evolved... except him. About to marry, he craves a rekindling of the flame. Not wise. Writer/director Austin Chick keeps it sparky and twisting like a fish, always a jump ahead of you.

Muddled straight-to-DVD sequel to the 2000 classic. As in part one, a class of schoolchildren are sent to an island to fight or die for the pleasure of their elders. But this time they're battling the survivors of the first film, who've formed a guerrilla army dedicated to overthrowing the sadistic adults responsible. After a promising start, it never recovers from the death of veteran director Kenji Fukasaku during the shoot.

Nine out of ten people will tell you Pam Grier starred in this 1973 landmark blaxploitation 'classic'. She didn't: it's Tamara Dobson as the CIA's tough female agent, taking out drug dealers with athleticism, attitude and a healthy amount of sheer spite. The soundtrack is very cool but in truth the film's pretty rubbish: comic-book at best, lazily indulgent throughout. Bring on Foxy Brown!

It's very long and extremely po-faced, and most of the performances are pretty wooden, Yul Brynner's imperious pharaoh aside. Even so, Cecil B DeMille's 1956 account of the life of Moses (Charlton Heston) still has some impressive sequences-notably the Exodus from Egypt, with 60,000 extras—and remains the definitive Biblical epic.

Arthur Penn's smouldering anti-western tells the story of Nicholson's Montana horse-rustlers and the pursuit of them by Brando's regulator Lee Clayton. The action is rationed into short, ferocious bursts and used as a counterpoint to the director's paced dissection of power and politics on the anarchic frontier. Brando's whispering Irish accent flirts with parody, but ultimately helps to lend Clayton a compelling air of psychotic menace.

Errol Morris' latest Oscar-winning documentary is no Moore-style polemic but an artful interrogation of infamous US Defence Secretary Robert McNamara, who gave Morris 23 hours of filmed interviews in 2001, before 9/11 and the Iraq war, though unspoken parallels are hard to ignore. A formidable intellectual bruiser at 87, the old Cold Warrior seizes what may prove to be his last chance to make peace with history. Riveting.