Album

Ssh! Art In Progress

First CD release for forgotten '71 psych-folk masterpiece from short-lived Aussie group

Pretenders

A close-to-classic 'intimate' set, filmed in the mid-'90s at London's Jacob St Studios. Chrissie Hynde and trusted band, assisted by a string quartet, loll luxuriously through such sultry charmers as "Kid","Private Life" and "Lovers Of Today", while Damon Albarn trots on as guest star to tinkle the ivories. There's also a stab at Radiohead's "Creep", with Hynde in sublime voice. A rock icon who's also one of the great white soul singers.

Pietra – Montecorvino

Traditional Neapolitan melodies fused with North African rhythms

Tortoise – It’s All Around You

Post-rockers' fifth album, and first since 2000. Lovely cover, shame about the music

Johnny Cash – The Living End

This belated sequel to 2002's triple-album retrospective Love God Murder features 18 songs that might easily have fitted under one or another of that set's individual headings. Not, perhaps, "Murder"—the only death here is that of the Native American hero of Peter LaFarge's "Ballad Of Ira Hayes", a war hero allowed to fall into alcoholism and ignominy after he'd helped raise that iconic flag at Iwo Jima—but certainly "Love" and "God".

Run-Dmc

Run-DMC did more than anyone to bring rock into hip hop in the mid-'80s. Greatest Hits shows the band at their best (the Tipper Gore-baiting "Mary Mary") and worst (the cutesy "Christmas In Hollis"). The purists sneered at the Jason Nevins makeover of "It's Like That",but those warehouse visuals will have turned a new generation of suburban 13-year-olds on to hip hop.

Coco Rosie – La Maison De Mon Rêve

Hallucinatory, spectral folk debut from NY sisters Sierra and Bianca Cassidy

Jane Birkin – Rendez-vous

The return of the widow Gainsbourg, with friends

Tom Rapp – Familiar Songs

Flawed, fascinating psych-folk curio

Elton John

Filmed in 1979, directed by sitcom stalwarts lan La Frenais and Dick Clement, To Russia With Elton is the antidote to the current Elton live show. Accompanied only by drummer Ray Cooper, he seems to have a genuine hunger; unsurprising, perhaps, in light of the commercial failure of '78's A Single Man and the following year's critically reviled Victim Of Love. Probably the last time Elton was ever vital.
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