Features

An extra-long list this week, since we seem to have worked our way through more stuff than usual. A lot of good stuff, too, I’d say, with one or two exceptions, and a tremendous new mystery record that’s coming out in the summer and which hasn’t, I think, been announced as yet – hence the necessary evasiveness.

As with Metronomy on Monday, I’m going to have to confess general ignorance of the Danish band WhoMadeWho. Along with “The English Riviera”, though, I’ve been playing this one a lot for the past week or so. Not least because, in a world without LCD Soundsystem, “Knee Deep” works as a pretty useful substitute.

As some of you have probably deduced, I’ve had a copy of Bill Callahan’s excellent “Apocalypse” for a couple of months or so now. It’s a lovely perk of the job, getting an album like this so early, compromised a little by Drag City insisting I didn’t mention its existence on the blog for what seemed like an age.

I believe this new album by Metronomy, “The English Riviera”, may well be out today, which means I’m pretty late at getting round to it. Truth be told, I didn’t pick it up for a while; not having hugely positive, or even particularly clear, memories of their previous records.

Apologies for not posting much new stuff over the past few days; we’ve been wrapping up the next issue of Uncut. One thing I have written, though, is this piece about, sort of, Raphael Saadiq, which was destined to be my Wild Mercury Sound column in the mag until various advertising movements rendered it, perhaps fortunately, surplus to requirements. A pretty convoluted path to “Stone Rollin’”, but just about worth posting, I think…

An abundance of goodness here, beginning with the great new Raphael Saadiq album, and a wonderful and unexpected return to form from The Beastie Boys.

This month, I’ve been listening a lot to a band (or solo project; it’s not entirely clear) called Purling Hiss. It’s been fun but, at times, quite a challenge, even for those of us who can deal with lo-fidelity music that’s disseminated through several thick coats of distortion.

All about Virender Sehwag as I type, but I’ve also just taken delivery of a bunch of new Mego releases that look great, including the Mark McGuire comp that’s playing now.

A certain grouchy state of mind this morning almost compelled me to break my own if-you-can’t-say-anything-nice-don’t-say-anything-at-all rule for the blog and post a list of disappointing albums of 2011. Instead, though, I figured it’d be much more constructive to round up a few things worth investing in.

I’ve never played guitar, so may not be the best person to judge, and I’m generally averse to wild comparatives and superlatives in music reviews. Watching Arbouretum last night, though – it was somewhere in the last quarter of “Song Of The Nile”, to be specific – I started to think that, just maybe, Dave Heumann might be one of the best guitarists I’ve seen play in years.