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Union kid

Creedence Clearwater Revival – the full story, by John Fogerty, Stu Cook and Doug Clifford

John Fogerty is out on an extensive tour of the US right now, so it seems a good time to dip into the archives and remind ourselves of this great feature from Uncut’s February 2012 issue (177). At the dawn of the ’70s, Creedence Clearwater Revival were the biggest band in the world – a brilliant and driven hit machine with deep roots in American tradition. By 1972, though, it was all over, and the ex-bandmates embarked on a bitter war that still continues, 40 years later.

Blur – Album By Album, by Stephen Street, William Orbit and Ben Hillier

As Damon Albarn prepares to release his debut solo album, Everyday Robots, on Monday, and 20 years since the release of Parklife is celebrated, we delve back into the Uncut archive (July 2009, Take 146) and go behind the scenes of the sessions that produced Blur’s classic albums and reveal the conflicts that nearly destroyed the band… Interviews: Nick Hasted

LCD Soundsystem: “That guy who cared? He quit! Now you get me!”

The live album of LCD Soundsystem's final gig at Madison Square Garden is finally being released tomorrow (April 19) for this year's Record Store Day, in full, as a 5LP set. Back in Uncut's November 2012 issue (Take 186), we met LCD's James Murphy to hear his thoughts on their farewell concert, his reasons for breaking up the band, and the plans he has for a post-LCD career: “I don’t,” he says. “And it’s terrifying!” Words: Stephen Troussé _____________________________

David Bowie’s The Next Day – Uncut’s epic, definitive review

Religious dissidents and juvenile delinquents, Greenwich Village and Potsdamer Platz, doomed soldiers and vacuous celebrities... David Cavanagh files the epic, definitive review of The Next Day. From Uncut's April 2013 (Take 191) issue. _______________

The Making Of… Status Quo’s Down Down

The Quo are currently on a UK tour, hitting London’s O2 on December 15 – and here’s one song that they are sure to be playing. In this piece from the Uncut archives (Take 190, March 2013), Nick Hasted hears all about the denim-clad, ‘boogie-shuffle’ giants’ 1974 hit. “We were the most uncool band in the world, yet the coolest DJ in the world was saying nice things about us…” _________________

“I don’t like strangeness!” An extensive interview with Kristin Hersh

I wrote a Throwing Muses feature for the November 2013 issue of Uncut, for which I spoke to all Muses past and present. The key interview, of course, was with Kristin Hersh, which ended up taking place over two lengthy sessions.

The 35th Uncut Playlist Of 2013

Conspicuously wealthy blues collectors probably know about this by now, but a copy of Tommy Johnson’s “Alcohol And Jake Blues” has surfaced – only the second that’s ever been found – and is on sale at Ebay. It’ll be interesting to see how bidding shapes up before the auction closes around 10 tonight (UK time): at time of writing, the highest offer is $16,800.00.

Johnny Cash – “There will never be another Cash. Never…”

Everyone knows the mythical image of The Man In Black. But the truth about Johnny Cash was a whole lot more complicated. A “folk hero for the world”, and a humble man who struggled with addiction for his entire life. In this archive feature from Uncut’s February 2009 issue (Take 141), we present a revelatory new portrait of Cash’s life. We talk to many of the people who knew him best – the children, the bandmates, the managers, the peers – and discover the unexpurgated truth about this titan of American music. “He survived,” says his one-time son-in-law, “what Elvis didn’t…” Words: Alastair McKay

An interview with Carl Hiaasen: “I want to be able to turn over rocks and shine a spotlight on these cockroaches”

I spent a chunk of the weekend reading Bad Monkey, the new novel by Carl Hiaasen - one America's great crime writers. After a rather fallow period recently, the book feels very much like Hiaasen is back to full strength.
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