Album

Bill Hicks – Shock And Awe: Live At Oxford University

The Cult of Bill gathers pace, nine years after the rock'n'roll comic's death

Roxy Music – Avalon

Some imagined that by Avalon, Roxy Music had degenerated into non-ironic AOR. But the sounds on this, the biggest-selling album of their career, are as avant-garde as anything they'd ever done, just more subtle, Ferry having exchanged art attack for ambient seduction. Remember this came out in spring 1982, as New Pop was peaking—it's as if the Godfather had returned to show the rookies how elegant isolation should really be expressed. Throughout there are expressions of Ferry's uncertainty, plus evidence they'd been listening to Joy Division and Jan Garbarek.

Rock This Joint

Arguably (though there's no debate among the voices in this listener's head) the best album of 2001, Asleep In The Back must have been a tough (and tender) act to follow. Partly because the Lancashire-based band had around 10 years to write, record and re-record that debut, navigating a route through various music biz mazes. Required to deliver a follow-up with unaccustomed haste after gold discs, rave reviews and sold-out US tours, Elbow initially froze. "It was like rolling a boulder up a hill", Guy Garvey's said. They took a break, reflected, reconvened.

Rocket Science – Contact High

Best live band in the world according to Australian Rolling Stone

Terry Hall & Mushtaq – The Hour Of Two Lights

Inspired world music outing is first album in six years from former Specials frontman Hall

The Robert Cray Band – Time Will Tell

Journeyman blues veteran discovers conscience and musical diversity on 13th album

Longview – Mercury

Graceful debut album from emotionally eloquent Manchester-based guitar band

Grand Funk Railroad – Classic Masters

Michigan neo-metal marauders who once broke The Beatles' box-office record at Shea Stadium

Tupelo Honey

Box set of previously unheard recordings by most famous singer ever

Laura Cantrell – Not The Tremblin’ Kind

The reissue of Cantrell's 2000 debut is timely following the critical success of last year's When The Roses Bloom Again, and a major US tour with Elvis Costello. John Peel deemed this his "favourite record of the last 10 years and possibly my life", while Costello describes her sound as "if Kitty Wells made Rubber Soul". Nashville-bred, NYC-based Cantrell is steeped in country and bluegrass, but brings a strident grace all her own. Set atop guitars both acoustic and twangy—and soft squeals of steel—her voice is cut-glass pure.
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