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White lies

Last Exit

Swan song from prolific Dayton, Ohio combo, while frontman flies solo

In Todd We Trust

Twentieth solo album and full-scale return to form from the artist formerly known as TR-I

Touching The Void

Already a boys' own classic, Kevin MacDonald's award-winning doc about two foolhardy Brit mountaineers scaling the 21,000ft Andean peak of Peru's Siula Grande is almost hideously gripping. Brilliantly paced, Touching The Void re-enacts the climb—and the descent, more to the point—with actors Brendan Mackey and Nicholas Aaron. But much of the drama lies in the memories of climbers Joe Simpson and Simon Yates, the interviews with whom are candid and vulnerable.

Winter Wonderland

Seattle songstress' magnificent fourth album finds her deep in fire and ice

The Cramps – Flamejob

Alan McGee may have had bigger fish to fry in 1994 (namely the era-defining debut of five scallies from Burnage), but that didn't stop him investing well-spent time and money on this, The Cramps' sixth album proper. A good job, too, since Flamejob is a blast; its tunes every bit as colourful as their preposterous titles (eg; "Naked Girl Falling Down The Stairs"). If anything, it sounds even more current today, with The White Stripes reigning supreme, than it did 10 years ago in the shadow of their mono-browed labelmates.

Changing Man

So much to answer for... the Bard Of Bromley's back in fine forward-looking fettle with a scintillating combination of the old and the new

Method Madness

Brando stars in and directs whopping, overlooked 1961 western that cries out for iconic status

Angel Of Darkness

Two-disc, 30-track retrospective of enigmatic solo artist's hits and rarities

The Filth Amendment

The best of compilation: a time to reflect upon a career, including even the early mishaps that eventually shape one's body of work. That's how it should be, anyway. It's telling reflection on the control freakery and uptight nature of Primal Screen that they've chosen, like some pampered footballer or insecure soap star, to relate a sanitised autobiography with Dirty Hits, ignoring their early but substantial first recordings as both fey indie janglers and one-dimensional rockers.

The Hi-Lo Country

Soul-searching partners on a trip to Dreamland
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