Bags

Coppola's love-in-Las Vegas musical fantasy is ripe for reappraisal

Watching the fabbest of all fours in their first US press conference, puffing away on cigs and deflecting inane enquiries, you feel proud to be a Brit. "Sing something for us!" "No, we need money first." Could Justin Timberlake—or Julian Casablancas, for that matter—be half as sarcastic? Imagine waking from a 40-year coma and coming afresh to these extraordinary scenes: four scouse charmers off the plane with their matching suits and Pan Am shoulder bags.

Misunderstood pop maverick's heyday ('71-'75) and later forays reassessed

Lukas Moodysson's bleak tale of a Slavic girl's suffering

Dizzee Rascal is the best rapper this country's ever produced, period. His words are as sharp as prime Tricky, his delivery sharper; he's got bags more personality than anybody in the British rap scene. These local comparisons add up to faint praise, though, so how about this: 18-year-old, East London-bred Dizzee Rascal is as good as any MC currently active on Earth. Every UK garage MC brags about how his style's unique, and virtually every MC does it using the same flow and timbre.

Raunchy performance by '60s R&B star

Subversive Sundance prize-winner probes the darker nooks and crannies of the human condition

DA Pennebaker, that eminent celluloid chronicler of live rock (Don't Look Back, Down From The Mountain), filmed the farewell Ziggy show (July 3, 1973, Hammersmith Odeon), and now Tony Visconti's remixed the soundtrack for a 30th anniversary double CD special edition (the film's out on DVD, too). Bowie's between-song banter is included for the first time, most notably the big bold brouhaha of the bye-bye speech. And "The Width Of A Circle" is present in all its noisy, unedited, 16-minute glory.