Reviews

A kind of Australian answer to Lock, Stock...without the masturbatory middle-class fascination with lowlife machismo, David Caesar's exuberant yarn about slot machine wars in 1960s Sydney is a riot of garish hues and lurid trouser suits. Toni Collette rises above a routine plot and meaty cast (Bryan Brown, Sam Neill) with her sassy gangster's moll routine.

Twentieth anniversary celebration by universally popular jazz trio

This is cooler than cool. Probably a guilty pleasure, as the movie appears to be a thinly-veiled remake of Flashdance starring Jessica Alba, but it swings like a narcissistic cat. Missy Elliott (who cameos in the film) lures us in with "Hurt Sumthin", and it just gets better from there. Tweet's "Thugman" is delicious, Nate Dogg's "Leave Her Alone" is beat-perfect, and Erick Sermon and Redman's "React" causes you to do just that.

Self-consciously awkward electronica from San Francisco

NYC's queens of kitsch mine classic-rock vault

Posthumous collection heavily skewed in favour of the '80s hits

Director Tim Burton's father-son fable is his best movie yet

Another reworking of the Betty Blue mythology, with the always watchable Valeria Golino as the Sicilian free spirit who is deemed nuts by her husband and run out of town for such sins as spontaneity and unconventionality. Sun-baked scenery and a lurch into magical realism at the end makes it more than the sum of its parts.

Up there with Citizen Kane as a standard bearer for the medium, and still utterly compulsive. FW Murnau's first US movie, dating from 1927, deploys a battery of impressive camera techniques in telling the story of a steadfast family man seduced by Margaret Livingston's femme fatale.

With a new LP imminent, the Minnesota-based folk-country boy reissues albums two and three