Reviews

Second album from Aussie brats

Brazenly morbid deathbed blues

Post-rock supergroup of sorts create delicate avant-pop masterpiece

Bumper '70s reissues from country's First Lady, 10 bonus tracks in tow

The rapturous romantics' classic third album makes waves again

Return of the '70s TV supercops

Deadpan Canadian metallers mockumentary

Tran Anh Hung's 1992 debut begins in 1951, as 10-year-old peasant girl Mui travels to Saigon to serve in a middle-class household. As she grows into a woman, we witness her daily domestic tasks, and the growing fractures in the family and society around her. A headily serene, hypnotically sensuous movie, observing reality in such close detail it becomes poetry, a song about work, life, and how the two run together.

Po-faced but spectacular Biblical epic starring Yul Brynner (with hair) as the legendarily wise king who risks losing the throne of Israel by making whoopee with the saucy-but-pagan queen of Sheba (Gina Lollobrigida). George Sanders plays the villain (hurrah), the cast-of-thousands battle scenes are impressive and the unintentionally hilarious 'orgy' is an absolute must-see.

Another random trawl through the Whistle Test archives proves perhaps just too random—it's unlikely fans of Half Man Half Biscuit (their 1986 TV debut) or The Jam ('78's "'A' Bomb...") will be tempted by strange bedfellows like Supertramp and Chris Rea. So something for everyone but far too diverse a range to fully satisfy any camp.