Reviews

Before The Trip starts, an earnest middle-aged voice warns us that we're about to witness "a shocking commentary on a prevalent trend of our time". This is Roger Corman's ass-covering joke at Middle America's expense:his 1967 drugzploitation classic is nothing more than Jack Nicholson's paean to lysergic acid. Ad exec Peter Fonda takes the trip in question, encountering sundry LA groovers along the way: Bruce Dern, the inevitable Dennis Hopper, even an unknown Gram Parsons. Turn on and tune in!

Oscar-nominated documentary from last year which, unexpectedly, grips like a vice in its climactic stages. Swotty geek-kids competing for the National Spelling Bee contest might not strike you as gutsy drama, but the obsession, the commitment, the heartbreak and the pushy parents make for a brilliantly dynamic and ghoulishly funny interpretation of the American mindset. Word.

Eight Quebecois intellectuals, four boys and four girls, discuss sex, history, the state of the world, sex, each other and sex as they prepare for a weekend together in the country. Gabby, but engrossing in a My Dinner With André sort of way, this 1986 movie marks the first appearance of the old friends who are reunited in Denys Arcand's The Barbarian Invasions.

Already touted as the next big thing, this 26-year-old Idaho native retains the folk-country purr of first album Golden Age Of Radio, and there's an obvious debt to Dylan in the subtle phrasing. Mostly set to quietly rolling acoustic guitar—with Sam Kassirer's Hammond adding an Al Kooper-like undertow—Hello Starling casts Ritter in the same wry glow as early Jackson Browne or James Taylor. Celtic ballad "Kathleen" proves he's fully assimilated the traditional, and the lovely "Wings" was recently covered by Joan Baez.

Eclectic Mexican combo's sophomore album

The glory years of 1992-1999, thoughtfully compiled on two CDs

Former Fairport singer's brace of '70s albums for Elektra on one disc

Efficient tale of fractured family set in the Old West.

The American newspaper heiress' kidnapping and brainwashing by the self-styled urban revolutionaries of the Symbionese Liberation Army, as retold by Paul Schrader. In the title role, Natasha Richardson goes through the trauma with committed desperation, but, despite being based on Hearst's own memoir, you never feel any closer to her, even if Schrader's film is often as claustrophobic as the cupboard in which she was imprisoned for 50 days.

Eleven years after his original expressionist classic, Dr Mabuse The Gambler, this 1933 sequel from Fritz Lang, banned by the Nazis for its political undertones (Mabuse/Hitler parallels), follows the titular crime lord's activities from beyond the grave, and features the original Lynchian'creepy velvet curtain' scene, plus one of cinema's first breakneck POV car chases.