Reviews

No lip-syncing, backing tracks or gimmicks—only consummate talent on these 'live' late-'50s clips from Canadian TV. Cab Calloway ("Minnie The Moocher") is at his most bizarre, Nat King Cole ("Stay With Love") is finger-poppin' smooth and Sammy Davis Jr ("Gypsy In My Soul/Perdido") is a human dynamo, while the gem in this collection is Duke Ellington working in a quintet setting.

Surprisingly radio-friendly vehicle for ex-Santana drummer Michael Shrieve

Noir is the hour...

Twelfth album from Canadian champions of alt.country misery

Appetising mini album from swampy Friends Of Franz

Welcome return to form from Philadelphian roots rockers

Aussie fish-out-of-water romance with a difference

Luchino Visconti's kitsch allegorical melodrama is set in Germany in 1933 and describes the corruption of the wealthy Von Essenbeck family in the face of the Nazi menace. And so, within a few short scenes, they go from fireside home recitals to transvestitism, rape, murder, same-sex orgies, massacres and motherfucking (literally). Made in 1969, it's clearly very political. But that's no excuse.

A single indiscretion with a besotted servant (a young Toshirô Mifune) starts an inexorable downward spiral for young noblewoman O-Haru. Disgraced, she and her parents are sent into exile, but it soon becomes clear that a woman with a tarnished reputation has very little chance of making good in 17th-century feudal Japan. With ravishing black-and-white cinematography and an austere formality in the direction, Kenji Mizoguchi's 1952 masterpiece is a beautifully crafted example of a past era in Japanese film-making.

A superb lyrical antidote to the countless guns-and-gangs depictions of life in the black communities of LA, Charles Burnett directs Danny Glover as Harry Mention, a man who stirs up past tensions when he comes to visit old family friends. With an excellent blues, gospel and jazz soundtrack to boot.