Reviews

Double album retrospective from Kidderminster's favourite blues band

In many ways, A Certain Ratio were the bridge between Manchester's punk and house scenes. Originally signed to Factory, they had early support slots with Talking Heads (1979) and seminal New York funksters ESG (1980), helping shape the label's electronic dance ethos alongside New Order (albeit without the same commercial success). Despite reaching only No 53 in the album charts, 1982's Sextet received ecstatic reviews for its taut, abrasive swagger—an uncompromising blend of percussive NY dance-funk, avant jazz and African, Latin and Brazilian influences.

As with the first Raimi Spidey film, the music of choice is heavy-to-middling emo rock. Why so? Why not something more web-like and spindly and pretty with lacy filigree? Guess it must've market-tested well first time round or we wouldn't again be subjected to plodding power-sludge from the likes (and boy are they ever alike) of Hoobastank, Maroon 5, Lostprophets and Jet, the last of whom so desperately want to be The Faces that it can only be days before they pen a lyric that goes: "You're breaking my heart 'cos you're stealing my tart".

Songs of alienation and madness from reclusive Chicago genius

Bubblegum pop from Joey Santiago

Achingly beautiful no-fi neo-folk from Iceland

Alias actress in coy but charming comedy

Engaging tale of corruption from Tajikistan

Veteran Japanese director Yoji Yamada's 77th film recasts the Samurai epic with a fin-de-siècle cynicism reminiscent of the revisionist westerns of the '60s and '70s. In the dying days of 19th-century Japan's Edo period, a reluctant Samurai (Hiroyuki Sanada) fulfils his duties while dreaming of settling down. A beautiful, moving deconstruction of national folk myths.

It's very long and extremely po-faced, and most of the performances are pretty wooden, Yul Brynner's imperious pharaoh aside. Even so, Cecil B DeMille's 1956 account of the life of Moses (Charlton Heston) still has some impressive sequences-notably the Exodus from Egypt, with 60,000 extras—and remains the definitive Biblical epic.