Reviews

Outrageous Cherry – Supernatural Equinox

Since surfacing from the Detroit underground in 1993, Matthew Smith's outfit have trodden an ever tangential path with infuriating results. Touching all bases from garage rock through prog, psychedelia and beyond requires a deft touch that's often eluded them but, though this record still finds the ground shaking beneath their feet, it's probably their most assured to date.

Pole – Burnt Friedman & The Nu Dub Players

Pioneering German techno-dubsters relax rigorous approach to electronica

Sunn O))) – White1

Titanic ambient metal, featuring a declamatory Julian Cope

Skin – Fleshwounds

Skunk Anansie vocalist goes it alone

Inspiral Carpets – Cool As

Two CD'n'DVD best-of for the band Noel Gallagher once roadied for

Dave Brubeck – The Essential Dave Brubeck

Wide-ranging anthology selected by Brubeck himself

Various Artists – Required Etiquette

Classic frat-rock spanning 1964-66

Bad Lieutenants

Lifting the lid on LAPD brutality and corruption

Hobson’s Choice The Sound Barrier

A double header, featuring two of David Lean's finest directorial efforts. Hobson's Choice (1954) sees Charles Laughton's magnificently overbearing Lancastrian patriarch butt heads with his equally stubborn daughter Brenda de Banzie, while John Mills is splendid as her husband, the worm who turns. The Sound Barrier (1952), in which Ralph Richardson attempts to devise the first faster-than-sound plane, sees stiff upper lips wobble as his efforts come to grief. It's also notable for some fine aerial sequences. Bravo, chaps!

Timecode

Mike Figgis' one-take, four-camera, split-screen Hollywood satire is avant-garde without being pretentious, innovative without being wearisome. Here, like a Dogme remix of The Player, Figgis and his nimble cast ridicule the aching venality of the movie industry over one long and ultimately homicidal November afternoon.
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