Features

When The Rolling Stones played at Twickenham in the summer of 2006, I was lucky enough to bag a seat relatively close to the stage. Close enough, in fact, that I could watch Mick Jagger’s extraordinary contortions without having to rely entirely on the big screens.

I mentioned last week that John ‘Speedo’ Reis had a new band, The Night Marchers, who sound pretty great on Myspace. This week, a new album by his most famous old band, Rocket From The Crypt, has turned up; a live set that reminds me many of the best gigs I saw in the mid to late ‘90s were played by this awesome band.

I found myself in the centre of a mild media hurricane yesterday, thanks to the musical map of Britain published in this month's Uncut becoming something of a hot topic. If you heard me trying to explain the principle of beats per minute on a local radio station, or trying to convince all of Scotland that they only listened to Runrig, I can only apologise.

I’ve just been reading your comments on yesterday’s Vampire Weekend blog – thanks for those. They helped me crystallise my thoughts about that much-vaunted African influence on the album. What’s interesting, I think, is not that they draw on African sounds, but how they point up the affinities between that spindly, melodically cartwheeling guitar sound and the indie-rock tradition.

I know it’s a blogger’s imperative to write about albums several months before they’re actually released, but sometimes, it takes a little longer for me to get the hang of a record. Amusingly, I’m usually slow to like records which are immediately acclaimed elsewhere for their brilliance, accessibility and so on.

Emerging from the REM binge today, we’ve had a go at the excellent debut album from Fuck Buttons, which I’ll write something about soon. And also, from a quixotic stream on a distant computer, I caught some of the Portishead record.

Thanks for all your comments on the REM blog I posted yesterday. I thought it might be useful if I tried to answer a few of your questions – as best as I can, anyway.

With the Texan flag pinned proudly to their stage amp, post-grunge instrumental four-piece Explosions In The Sky played a solid hour-long set to a rammed London Astoria, to finish up their long delayed UK tour last night...

OK, then, I must admit I’ve been sceptical about this one, so disillusioned by “Around The Sun” (three good, if woefully overproduced, songs notwithstanding) that I didn’t even bother to check out any bootlegs of those “live rehearsal” gigs from Dublin last year. . . More fool me, it transpires.

Some big new entries on this latest playlist, not least the arrival of REM's much-anticipated "Accelerate".