Reviews

Not a genre Uncut features heavily, but the previous volume was one of the biggest-selling soundtrack-related CDs of recent years. It's an excuse to bung together top hits from everything from Grease to Charlie's Angels, but the real reason it's here is because by a fluke it includes, among 40 tracks, a run of about 10 which would make my Desert Island Discs—or 31 Songs, as we're now calling the concept.

Belated British release for alternative Nashville singer/songwriter

Bewildering debut album from Southend-based oddball

Petite sex-rocker rings changes for fourth album

Compilations of two sonic soul forces

Long-awaited re-release for one of the great lost albums of the early '70s

Afghans' odyssey puts the asylum-seeker problem into human context

Steve Buscemi's 1996 writing/directing debut, by turns subtly hilarious and desperately sad, is a scruffy, rambling tour of barfly life, wherein his shiftless mechanic becomes an ice cream salesman and romances a much-too-young-for-him Chloe Sevigny. The tagline—"One man's search for... who knows what"—perfectly captures its loaded small-town shrug. Bruisingly good.

Usual Suspects writer Christopher McQuarrie makes his directorial debut with this hip crime caper, with Ryan Phillippe and Benicio Del Toro as two petty criminals who kidnap Juliette Lewis, a pregnant surrogate mother, unaware that the baby she's carrying belongs to mob boss Scott Wilson. Needless to say, the bullets barely stop flying in this slick, violent thriller.

Now wealthy enough to not fall foul of record company lawyers (unpaid for Nana Mouskouri samples resulted in tracks being pulled from their 2000 debut Programmed To Love), The Everlasting Blink features a series of inspired if somewhat bizarre guest stars.