Uncut

Second from rapidly rising NY stars

Howe Gelb's peripatetic lifestyle captured on record

"Not everyone can relate/To what you and I appreciate," croons Devendra Banhart on one track of this fourth effort. It may be the truest, least cloying sentiment he's ever uttered, certainly on disc. Recorded at the same sessions as his recent Rejoicing In The Hands debut, it's a similar anthology of songs shot through with naïve, awestruck wonder, delivered in a warbling croon that's equal parts Ed Askew and Robbie Basho, over steadily thrumming finger-style guitar.

Thrillingly antagonistic rock'n'roll. From Leicester

Quirky duo display backbone on 10th studio album

Second album from much-vaunted Edinburgh nu-folkster

Nebraskan new wavers make a canny swerve for fourth LP

Canadian chanteuse pays parochial tribute

Tremendous return from the reformed AMC

Zbigniew Preisner (there's one for the Scrabble match) is Poland's film music god, having scored Kieslowski's Three Colours and Dekalog. His work here for the overblown, befuddled Thomas Vinterberg turkey is tastefully shimmery, and strident only when necessary. Perhaps he could lease it out to an infinitely superior movie, which shouldn't be hard to find. Among Vinterberg's hilarious sleevenotes is a ludicrous boast: "It's all in the film... including an excellent song I wrote. It is in Latin, and just as there are seven days, there are seven words in the song.