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Graeme Thomson

The making of Spiritualized’s “I Think I’m In Love”

An eight-minute opus in two halves: part blissed-out space ballad, part focused groove: “The lyric just seemed to roll off,” says Jason Pierce

The making of The Damned’s “Neat Neat Neat”

A raw, supercharged blast of punked-up garage rock, recorded live in a tiny studio: “It’s a short, sharp shock on record!” says Captain Sensible

The Coral – Album By Album

James Skelly and Nick Power steer a course through the Wirral band’s turbulent but ultimately triumphant two-decade career

The Waterboys on Room To Roam’s legacy: “We were a lot wilder and more exciting than the record conveyed”

Riding high on the momentum of Fisherman’s Blues, in 1989 The Waterboys reconvened at their new spiritual home in Ireland to make the follow-up. Mike Scott’s plan to broaden the sound didn’t quite go to plan, but as a new box-set reveals, Room To Roam was far from a misfire

Ry Cooder of Buena Vista Social Club: “We got in there and did great things”

In 1996, Ry Cooder assembled the Buena Vista Social Club and turned Havana’s forgotten musical aristocracy into unlikely stars. Twenty-five years on, the magic of the joyous, bittersweet album they recorded together is stronger than ever. But how did its curator and venerable cast navigate power cuts, food shortages and meetings with Fidel Castro?
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