Dead Moon – In The Graveyard / Unknown Passage / Defiance

Portland garage rock refuseniks still doing it their way. The first three albums, for the first time, on CD...

Trending Now

Fugazi’s Ian MacKaye: “We decided we were going to start a new scene”

The new issue of Uncut revisits the birth of post-hardcore in Washington DC

Mogwai: Album By Album

Founded in 1995 and initially a trio, Glasgow’s Mogwai made their debut with “Tuner/Lower”, a self-pressed seven-inch in thrall...

Pete Townshend looks back at The Who in 1967: “I don’t think I was angry”

Smashing guitars, hanging out with Small Faces and keeping Keith Moon onside

Introducing the Deluxe Ultimate Music Guide to Bob Marley

In-depths reviews and archive encounters with the reggae legend

Portland garage rock refuseniks still doing it their way. The first three albums, for the first time, on CD…

That Dead Moon remain of relative obscurity feels not so much a matter of oversight as a cosmic injustice. Since 1988 they’ve independently released a dozen albums, toured extensively, and teetered on the precipice of wider recognition: Pearl Jam and Shellac have sung their praises, while 2004 documentary Unknown Passage and 2006 Sub Pop collection Echoes From The Past have spread the gospel further.

It can’t be to do with the backstory, itself a slice of history. Singer-guitarist Fred Cole played in 60s garage bands The Lords, The Weeds, and The Lollipop Shoppe, whose “You Must Be A Witch” landed on the first Nuggets box. Fleeing the draft, the band ended up in Portland, where Fred met Toody, future wife and Dead Moon bandmate. The Coles conduct themselves with DIY integrity, booking their own tours, running a studio and guitar store, and pressing their own records, some cut on the same lathe used on The Kingsmen’s “Louie Louie”. Toody credits their spirited self-reliance to their parents: “They survived the depression and World War Two, and taught us that strength and determination will carry you through.”

Dead Moon’s first three records, In The Graveyard (1988), Unknown Passage (1989) and Defiance (1990), remain unimpeachable. They started as a covers band, and some remain: Toody’s Mo Tucker-ish “I Can’t Help Falling In Love With You” on In The Graveyard, a raging take on blues standard “Milk Cow Blues” on Defiance. But the originals are just as good: the nightmarish “thunderbolts and nightsticks” visions of “Dead Moon Night”, or the wracked country blues of “Dagger Moon”.

Fred and Toody split with drummer Andrew Looms in 2006, but Dead Moon reformed at the start of 2014 to play the centenary of Portland’s Crystal Ballroom. A subsequent European tour was cancelled when Fred fell ill, and he’s just undergone triple bypass open-heart surgery. “He needs several months to heal completely, and be able to play on stage again, standing for over an hour with that heavy Guild Thunderbird guitar strapped on,” says Toody. But a Portland show is booked for January 2015. The world still has a chance to wake up to Dead Moon.
Louis Pattison


Latest Issue

The Who, New York Dolls, Fugazi, Peggy Seeger, Scritti Politti, Bob Dylan, Marvin Gaye, Serge Gainsbourg, Israel Nash and Valerie June