Features

Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time… Previously: The Best Albums Of 2014: Halftime Report Part One Previously: The Best Albums Of 2014: Halftime Report Part Two

Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time… Previously: The Best Albums Of 2014: Halftime Report Part One

Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time…

Always a bit of a gamble doing this, to be honest but, since it’s June, I’ve tried to put together a list of my favourite albums of 2014 thus far. Many caveats forthcoming, not least that my slightly ad hoc way of trying to remember what I’ve liked means I’ve almost certainly missed a few things.

Jarvis and co shoot for a happy ending...

A few headline comebacks in this week’s playlist, and if you scroll down you should be able to hear strong new music from the likes of Jeff Tweedy, Caribou, David Kilgour and, though perhaps ‘new’ music might be a misnomer, Crosby, Stills, Nash & Young.

As Jack White’s second solo album, Lazaretto, is released on Monday (June 10), it seemed time to check out some of the White pieces in our archive. Here, in this article from December 2006’s Uncut (Take 115), Jack, Brendan Benson and Patrick Keeler celebrate the irresistible rise of their three-minute garage pop classic. Interview: Barney Hoskyns

I must confess that, until very recently, I hadn’t really heard of Mike Cooper; more evidence, I guess, of the apparently boundless reserves of records from the early ‘70s still to be reissued (the Bob Carpenter album, due to be released on No Quarter in the autumn, is another great example I should write about soon).

Deep into 2001’s Southern Rock Opera , there’s a point where Patterson Hood produces a mission statement for the Drive-By Truckers – and for an enlightened generation of bands from below the Mason-Dixon line. “You think I'm dumb, maybe not too bright,” he sings, “You wonder how I sleep at night/Proud of the glory, stare down the shame/Duality of the southern thing.”

How does it feel, to be pathologised? A few of you might wonder as much, picking up with some trepidation David Kinney’s “The Dylanologists: Adventures In The Land Of Bob”. For here is a book that purports to expose the eccentricities of Bob Dylan’s most obsessive fans, who – imagine! - spend all their money on bootlegs, rarities and ephemera, follow the Neverending Tour around the world, crowd the front rows of his gigs, meticulously work through his lyrics for meaning and echo. Not to be paranoid here, but is Kinney talking about us?