Uncut

Forget CDs, this is how Damon Albarn and Jamie Hewlett's bloodless multimedia project was always meant to be experienced: as a fancy interactive DVD stuffed with videos, storyboards, short animations, a documentary and plenty of hidden gimmicks that only resourceful 11-year-olds can locate. Extensive foraging suggests, however, that Albarn's soul is still nowhere to be found.

Four magnificent hours of documentary narrated by Kris Kristofferson which trace the history of indigenous American music throughout the 20th century. Thrilling ancient footage of Muddy Waters, Hank Williams, BB King, Woody Guthrie and dozens of others drawn from the ranks of the true pioneers of blues, gospel, cajun, folk and country makes this an essential purchase for anyone with a passion for America's musical heritage.

The quintessential '90s indie band take a creditable tilt at posterity on this two-disc set. Thirteen delightfully silly videos and two live sets provide the bulk, but the real gem is a detailed and affectionate documentary (reminiscent of Fugazi's Instrument) tracing Pavement from shambolic beginnings to nominally slicker stardom, of a kind. For connoisseurs: plenty of lunatic first drummer Gary Young and Stephen Malkmus interviewed in a sauna.

Nicholson brings havoc to a mental institution back in 1975. Five Oscars follow...

Brilliant comic pastiche which has been crowned Uncut's film of 2002

Wesley Snipes returns as Blade the Daywalker, scourge of vampires despite being half-vampire himself. This time he's recruited by the Vampire Nation to lead a crack assault team (including the wonderful Ron Perlman) against a new breed of bloodsucker that menaces vampires as well as humans. As stylish as the first flick, but not quite as much fun.

Troublesome teens? Round them up at random, dump them on a deserted island, armed to the teeth, and force them to fight each other to death. It works brilliantly in Kinji Fukasaku's relentlessly violent and cheerfully tasteless satire, and is surely a public order initiative David Blunkett would approve of. DVD EXTRAS: Loads, including additional footage and alternative ending, Takeshi Kitano interview, filmographies and director interview. (AJ)

Influenced by Spinal Tap as much as it is by cannabis, this 1985 mockumentary was the last thing the duo wrote as a team. Supposedly following them as they record their last album, the best parts are the on-the-couch interviews in which Cheech improvises pretentious answers while Chong tries not to laugh. The songs themselves aren't too funny unless you're baked, but then that's the point.

Not as bad as they said, until you hit the magic realism. Lasse Hallström is safer on the brief establishing scenes, and Newfoundland is refreshingly unfamiliar Both sadsack Kevin Spacey and closed Judi Dench endure a near-Theban family history in rotten weather. Journalists will savour the local paper.

The celebrated 1960 black comedy/horror that inspired the hit Broadway musical. Dim-witted flower shop assistant Seymour (Jonathan Haze) develops an intelligent plant who demands and receives human flesh for sustenance. Directed by Roger Corman in just two days, it's enjoyably trashy with a notable Jack Nicholson cameo.