Not quite Fellini at his most brilliantly enigmatic, but the movie that made his name. Christ is helicoptered out of Rome while the city decays into a listless Sodom for the international jet set; Marcello Mastroianni plays the louche hack carrying too much ennui to write a novel, documenting the party people’s jaded adventures for local scandal sheets, worried his soul is dying. The decadence looks tame today, but it still has Anita Ekberg in the fountain.
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