Reviews

Midwestern siblings in Britpop homage

US chanteuse covers the songbook of lo-fi LA maverick

Southern boy recalls homesick-in-the-city salad days

A best-of thin on any real achievement

Infantile, boorish, dangerous, hilarious, unmissable

Why 511? Because, on June 2, 2002, New Order performed in front of 10,000 rain-lashed revellers at Finsbury Park, and their 16-song set list comprised five Joy Division tracks and 11 by the band they became following the suicide of Ian Curtis.

Leaving aside the Paul Williams soundtrack and Jodie Foster's performance (which aren't bad), Alan Parker's 1930s kiddie gangster musical, which dates back to 1976, combines a dozen bad things, including clunky dialogue, child actors, obvious sets and dull direction. Kids would probably find it patronising, and to the rest of us it falls somewhere between cloyingly cute and downright dodgy. DVD EXTRAS: Trailers, storyboards, trivia, character notes, photo gallery.

The ultimate journeyman, Kevin Reynolds is back with his explosively soulless adaptation of Dumas' classic. Formerly solid character stars Guy Pearce and Jim Caviezel don Hobbit haircuts and bored expressions as the socially mismatched childhood friends torn apart by jealousy and betrayal. It's clunky and mechanical, and lacking in even the faintest directorial fingerprint, yet it bounces you safely to the finish. DVD EXTRAS: Making Of..., audio commentary, deleted scenes, sword-fight choreography documentary and sound design featurette.

Auspicious, genre-defying debut from London-based polymath and sometime Telefunken/Hefner collaborator

Intensely moving, Simon Raymonde-co-produced follow-up to 2001's Lido