Segall Ty

A few to flag up this week: Hiss Golden Messenger of course, Mikal Cronin (produced by Ty Segall; kind of kin to the first Ganglians record maybe), Meg Baird, Wild Flag.

One or two auspicious things amidst this lot, though check out Weyes Blood and Robert Stillman, too. Very conscious of cryptic hyperbole here, but Record 14 is as good as anything I’ve heard this year, this morning at least.

The new Black Lips album – produced by Mark Ronson, weirdly – arrived yesterday, and reminded me of a couple of things. First, that I always feel unaccountably guilty for not liking Black Lips records as much as I think I should. And second, I actually have a bunch of good garage records that need writing about.

An extra-long list this week, since we seem to have worked our way through more stuff than usual. A lot of good stuff, too, I’d say, with one or two exceptions, and a tremendous new mystery record that’s coming out in the summer and which hasn’t, I think, been announced as yet – hence the necessary evasiveness.

Last blog of the year, I suspect, so I thought it’d be useful to post my whole hundred in one place: apologies for the half-arsed obligation to get extra traffic which compelled me to post it in chunks, at least initially.

Previously: 100-76.

Another good list this week, I reckon. Fairly predictable pleasure from the Howlin Rain EP that Ethan Miller snuck out the other day, on a break from what he describes as two years of pre-production on the next album with Rick Rubin. Very brave Hendrix cover, too.

No Polish epiphanies this week, sadly: thanks, by the way, for all your Czeslaw Niemen guidance – you’re invaluable.

A good week for new arrivals, actually, though there is one record here that, somewhat unexpectedly, I never want to hear again. Hopefully you’ve got your hands on the new issue and the “Transition Transmission” CD; pretty nice one, I think.