Original Yardbirds members Jim McCarty and Chris Dreja take us through their career in pictures in the latest Uncut, dated April 2013 and out now. Jeff Beck, perhaps the band’s most explosive lead guitarist, took on questions from Uncut readers and famous fans in our March 2010 issue (Take 154), answering queries on haircuts, hot rods and playing with, er, Beverley Craven… Interview: John Lewis__________________________
We look into the touching, awkward new film about Bill Callahan, Apocalypse: A Bill Callahan Tour Film, in the new issue of Uncut, dated April 2013, and out now. As a companion piece, check out this fantastic piece with Callahan, aka Smog, recalling how he made his greatest albums, from May 2010’s Uncut (Take 156).
The Columbia Albums Collection, the new 17-album boxset from Blue Öyster Cult, is reviewed in the new issue of Uncut, dated April 2013, and out now. The collection unsurprisingly includes the band’s signature hit, ‘(Don’t Fear) The Reaper’, and in this piece, originally published in Uncut’s November 2010 issue, the band discuss the writing and recording of their “trans-awesome” tune, perhaps the spookiest FM staple ever. “Nothing like The Byrds”, apparently… Words: Jaan Uhelszki
Johnny Marr’s first proper solo album, The Messenger, is reviewed in the new issue of Uncut, dated March 2013, and out now, so it seemed time to revisit the guitarist’s impressive back catalogue with the man himself… From Uncut’s February 2008 issue (Take 129), Marr relives the making of records from The Smiths and The The to Electronic and Modest Mouse. Interview: Stephen Troussé_________________
In the issue of Uncut dated December 2008 (Take 139), Kevin Ayers talked us through the making of some of his finest albums - including the Soft Machine’s debut, through his collaboration with Brian Eno, John Cale and Nico, his much-loved solo album Whatevershebringswesing, and more.
Interview: John Robinson__________________
As part of our Mick Ronson feature from the issue of Uncut dated February 2013, Morrissey kindly agreed to answer our questions about working with Ronson on his 1992 album, Your Arsenal. Here, then, is the complete transcript of that interview.
This primal blast of sexual energy – penned by Chip Taylor and later hijacked by Jimi Hendrix – would prove an immediate ’66 hit for Reg Presley and his ‘proto-punk’ beat boys... Reg, manager Larry Page, writer Chip Taylor and more explain how the iconic song was made. From Uncut’s April 2009 issue (Take 143)…___________________
We head to Los Angeles in the new issue of Uncut (dated March 2013), out now, to meet Richard Thompson and discuss his extraordinary new album, Fairport Convention and recording in Nashville with Buddy Miller. Here, in this piece from Uncut’s May 2006 issue (Take 108), Thompson talks us through the making of some of his finest albums, including Liege & Lief, I Want To See The Bright Lights Tonight and Rumor And Sigh. “It was the best way to lose our audience overnight…” Words: Nigel Williamson__________________
