Nanni Moretti's Cannes-winner is restrained and moving, with the Italian writer/director forsaking his comic urges to examine how a teenage son's death affects a family. Moretti plays the father, a psychoanalyst who, grieving, loses interest in his patients. Awkward emotions are deftly handled: Hollywood should watch this and learn.
Rating: 5 / 10
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I would have bought the issue of Melody Maker in which I first read about Bruce Springsteen on my way into the art school in Newport, where in March 1973 I was in my last term, only a few months away from moving to London and not long after that fetching up on MM as a junior reporter/feature...
