Back with a vengeance, the second of Tarantino's Uma-in-yellow action epics gives good dialogue—excerpts included here. The music's deliberately eclectic, built around a spine of appropriated Morricone. Johnny Cash rumbles through "Satisfied Mind", Charlie Feathers chirrups old-time rock'n'roll, and there's a hidden track from Wu-Tang Clan, "Black Mamba". Malcolm McLaren—presumably Quentin admires his media scams—gives us the sultry samples of "About Her".

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Kill Bill Vol 2 – Warner

Back with a vengeance, the second of Tarantino’s Uma-in-yellow action epics gives good dialogue?excerpts included here. The music’s deliberately eclectic, built around a spine of appropriated Morricone. Johnny Cash rumbles through “Satisfied Mind”, Charlie Feathers chirrups old-time rock’n’roll, and there’s a hidden track from Wu-Tang Clan, “Black Mamba”. Malcolm McLaren?presumably Quentin admires his media scams?gives us the sultry samples of “About Her”. Best thing by a nu-country mile is Shivaree’s “Goodnight Moon”, a lost single we told you was gorgeous three years ago. If this finally makes Shivaree hip, that’s all good.