Film review



Director Joe Carnahan's follow-up to his micro-budget debut Blood, Guts, Bullets & Octane throws you right into the thick of things, with a breathless handheld camera following undercover cop Tellis (Jason Patric) as he chases a drug dealer. This nerve-jangling prologue ends in a tragedy that sees our man suspended from duty and the audience plunged into a world of cop-movie clichés:Tellis is interrogated by Internal Affairs, is given a chance to save his career, argues with his wife about going back on the streets, and eventually partners dangerously driven detective Oak (Ray Liotta) to hunt down a cop-killer.

While there's some pleasure to be had in going through classic police-procedural motions—especially when they've been given the surface style of '70s classics like The French Connection—Carnahan's film doesn't take us anywhere new. Muscle past the digital effects, arcane street lingo and gritty urban action and all that's left is two intense, bulky men with moustaches bellowing exposition at each other in a warehouse. These boys need to calm down...

Rating: 2 / 10


Editor's Letter

Robert Plant, Tom Petty, The Beatles, King Crimson, Bobby Womack: inside the new Uncut!

Welcome to the new issue of Uncut! John’s on holiday this week – he was last seen disappearing into darkest Gloucestershire – so it falls to me to show you around this month's edition instead.

Our exclusive cover story finds us catching up with Robert Plant...