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Grant Lee Philips
On quitting Grant Lee Buffalo in 1999, Phillips holed himself up in the basement of producer Jon Brion for three dark October days, finally emerging with a handful of witching-hour spirituals. Previously available only at gigs and online, Ladies’ Love Oracle is the result: a dimly-lit acoustic suite of minor chord subtlety, artful melodies and sparse backdrops. At times, he sounds eerily Lennonesque (“Heavenly”; “Don’t Look Down”), at others like a delicate Elliott Smith. The slide guitar of “Folding” and a couple of percussive numbers aside, the pace remains fixed (indeed, there’s no sign of his dynamic-shifting baritone amongst the whispers), but it’s an understated treat nonetheless.

Rob Hughes

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User reviewsSubmit your reviewAverage user rating4 stars1 stars
Ruard Wallis de Vries
West-Vlaanderen
 
Better all the time

Why am I not giving a 5 star review of the CD I've been playing all through the last two years? Maybe the only reason is that, as the Uncut review says, somewhere there's a spark missing, a spark that was definitely there when Grant Lee Buffalo cut their best work.
Still, "Ladies' Love Oracle" is compulsory stuff for anyone into anything from Lennon to singers-songwriters. There's sheer brilliance in the love song "Heavenly", there's some kind of jubilance in "St Expedite", and there's none of the baroqueness that buried some of the later Grant Lee Buffalo songs. Here's a musician at work for the love of music. Piano, guitar and that incredible voice.
I purchased the CD after I saw Phillips at a Brussels show in 2002. It's got his signature on the sleeve. A thoroughly likeble man who, as he said during the show, is comfortable with the fact that the momentum of his career has passed on to others. A good thing. Because, to paraphrase a less likeable musician, this CD, like a good wine, is getting better as it gets older.