
But with the counter-culture gathering pace and looking to Dylan for leadership, he chose to abdicate and retreated into rural seclusion in Woodstock. His albums took on a less challenging, bucolic flavour and he abandoned touring for eight years. He returned to the road in the mid-'70s and was restored to critical favour with 1975's Blood On The Tracks.
Towards the end of the decade he become a born-again Christian and, although his new faith led to some powerful music, it angered and alienated many of his old fans.
By the mid-'80s he appeared to have lost his creative energy. But in 1988, he embarked on The Never Ending Tour, a road odyssey that has seen him averaging more than 100 live dates a year and which continues to this day. The prolific songwriting has slowed down. But 1997's Time Out Of Mind was hailed as his strongest collection of songs since the mid-'70s and he followed equally strongly with 2001's Love & Theft.
In 2004, he published Chronicles, the first volume in a planned three-part autobiography that found his prose style being compared by critics to the likes of Bellow and Hemingway.

A list of the songs alone is enough to tell you this was early, acoustic Dylan at his peak. 'Blowin' In The Wind', 'Girl From The North Country', 'Masters Of War', 'A Hard Rain's A Gonna-Fall' - and that's just side one.

The choice could equally have been Bringing It All Back Home or Highway 61 Revisited, which Blonde On Blonde followed to create an unparalleled trilogy of some of the most magnificent rock'n'roll music ever made, all within the astonishingly short space of 16 months.

Inspired by the disintegration of his marriage to Sara, has anyone ever written with greater insight and profundity about the break-up of a relationship? The question is purely rhetorical as Dylan runs the gamut of human emotions from heartbreak to anger via despair and longing.

The most pirated artist in history, Dylan countered the bootleggers with this well-chosen 53-song compilation that combined sought-after tracks and rarities with some of his best known songs, nicely packaged with context-setting liner notes by Cameron Crowe and rare photographs.

Dylan tackles the theme of mortality on a brilliant set of songs made more poignant by his life-threatening illness immediately before the album's release. His voice sounds shot, but its weariness perfectly suits the subject matter, aided by Daniel Lanois' haunting production.



















