Uncut Magazine

March 2013

Uncut - March 2013

In this month's Audience With Sinéad O'Connor, she's asked about her traumatic appearance at the all-star bash at New York's Madison Square Garden, put on by Columbia Records to celebrate the 30th anniversary of Dylan's debut album for the label.

The concert brought together Dylan and a lot of his old cronies - Neil Young, George Harrison, Eric Clapton, Tom Petty - and a few young bloods like Eddie Vedder, the frankly ridiculous Sophie B Hawkins, and Sinéad, all of them performing their own choice of song from Dylan's vast and astonishing repertoire.

I'd just made it back to my seat from the bar where I'd taken refuge when John 'Cougar' Mellencamp had started doing something to "Like A Rolling Stone" for which he deserved a spell on a chain gang when Kris Kristofferson appeared to introduce someone whose name apparently was "synonymous with courage and integrity". This turned out to be Sinéad, which was a surprise to the audience in whose opinion she was clearly not much more than a foul-mouthed harridan after a recently televised verbal attack on the Pope, for which she is loudly booed, almost swept away by a wave of anger and deafening abuse that leaves her evidently shocked. She screeches a verse or two of Bob Marley's "War" instead of the scheduled version of Dylan's "I Believe In You" before being led away protectively by the noble Kristofferson, who looks in the mood to throw some serious punches.

She's followed that night by Neil Young, who tears the place up with incendiary versions of "Just Like Tom Thumb's Blues" and "All Along The Watchtower", but makes no mention of the crowd's treatment of Sinéad, which I have the opportunity to ask him about a couple of weeks later in London, where he's fetched up to promote his new album, Harvest Moon.
"She got a good reaction," Neil says, by way of surprising reply. "It was a New York reaction, OK?" he snaps, a grizzled veteran of the rock'n'roll wars. "They were booing her, but at least they were reacting. It wasn't like they didn't know she was there. I'd say that was a good reaction."
She seemed pretty distraught.
"I'm surprised by that."
I've also just heard that after talking to God, or at least someone who knows him, she's decided to quit the music business. "Well," Neil says, and you can tell he's not impressed, and may not even be at all interested, "she's gotta do whatever she thinks she's gotta do."

Would he have taken that kind of hostility in his legendary stride? "Absolutely. Shit, I've been booed for my music. Bob was booed for going electric. I was booed for singing with a Vocoder and synthesisers. I was booed here in London. I was booed in Germany, Spain, France, Italy, everywhere. But they never made me run. It doesn't bother me. I just keep on going," he says, playing the crusty old geezer here, the unyielding loner hero. "She blew a great chance to be brilliant. She let the audience get the best of her. I don't want to pass judgement on her and the things she's said or done. I'm sure she has plenty of good reasons. More power to her. You want to protest, go ahead. Be my guest. But there's a time when it's gonna come back on you. You have to be strong. You have to be prepared to take that. She let it beat her. They put her to the test and she just wasn't up to it. So don't," he says with grim finality, "ask me to feel any sympathy for her."

ISSUE ON SALE FROM THURSDAY JANUARY 31

In this issue

FREE CD:
THE HEART OF SATURDAY NIGHT
15 great tracks of 2013's best new music, including Richard Thompson, Villagers, Matthew E White, Caitlin Rose, Arbouretum, Wooden Wand and Endless Boogie

INSTANT KARMA! In our front section this month: David Bowie, Can, Michael Chapman & Thurston Moore, The Black Crowes

FEATURES

SINEAD O’CONNOR
An Audience With the Celtic firebrand

JIMI HENDRIX
We talk to step-sister Janie about the guitar maestro’s recording legacy

JIM JAMES
My Morning Jacket mainman goes solo: "I've never sucked dick to get ahead…"

STATUS QUO
The making of 1974 classic "Down Down"

TOM WAITS
The untold story of classic debut Closing Time, by Waits' closest collaborators

SUBWAY SECT
Radical singing postman Vic Godard is back…

THE BEACH BOYS
The band's life in pictures

RICHARD THOMPSON
Fairport's first adventures and the guitarist's new Electric set

CHRIS THOMAS
Career highs of the fabled producer

RON SEXSMITH
The Canuck songwriter's Life In Music

REVIEWS SECTION

MUSIC
New Albums – including: Nick Cave, Johnny Marr,
Jim James, Eels and Endless Boogie

The Archive – including: Fleetwood Mac, Conny Plank and Julian Cope

DVD & FILM
 Game Of Thrones on DVD, Flight,
To The Wonder, This Is 40

BOOKS Woody Guthrie's unpublished novel, plus Bobby Keys' autobiography

LIVE
 Jonathan Wilson & Friends, the Allah-Las and The Pogues


Newsletter


Editor's Letter

The 35th Uncut Playlist Of 2014


Weird serendipities aplenty this week: versions of "O, Death" on two albums I downloaded one after another, by Mike & Cara Gangloff and Bessie Jones; dovetailing into Sea Island overlap between Jones and Loscil. It makes for a nice blurring between time and genre with, say, the Gangloffs...