There's a physicality to her descriptions of deep desire and romance—licking faces, looking at hair, feeling bones through skin—that sets McGee apart from more feyly folky singer-songwriters. A strong, unfussy voice, confident, careful arrangements and an earthy affinity for barroom abandon and bad-to-know boys also keep her just the right side of sappiness, and make her one to watch.
Rating: 3 / 10
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I would have bought the issue of Melody Maker in which I first read about Bruce Springsteen on my way into the art school in Newport, where in March 1973 I was in my last term, only a few months away from moving to London and not long after that fetching up on MM as a junior reporter/feature...
