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Everybody loves Joker Jack. With his wolfish leer and lascivious growl, Hollywood’s longest standing rebel simply radiates illicit pleasure. Even on the cusp of his 70th birthday, with most of Hollywood’s old-school ravers dying off or settling down, John Joseph Nicholson remains a terrific advert for sex, drugs and rock’n’roll.

Witty, cultured and hugely charismatic, Nicholson has balanced powerhouse performances in critically feted art movies with a four-decade career as one of mainstream cinema’s most highly paid stars. From the late ‘50s onwards, he struggled through endless bit parts and on-set jobs, learning his craft from low-budget producer-directors like Roger Corman. After finally cracking the mainstream in Easy Rider (1969), he became the most in-demand leading man of the ‘70s, specialising in edgy outsider roles in New Hollywood classics including The Last Detail, Chinatown and One Flew Over The Cuckoo’s Nest.

For decades Nicholson has partied through sex scandals and Oscar-winning triumphs at his home on Mullholland Drive’s fabled “Bad Boy Hill”, where his neighbours included longtime pals Warren Beatty and Marlon Brando. He has also flaunted his reputation as a serial womaniser and recreational drug enthusiast, scoring high-profile romances with Anjelica Huston, Lara Flynn Boyle, Rebecca Broussard and many more. Ever the horny old devil, he recently announced his intention to bed Kate Moss. “I only take Viagra when I am with more than one woman,” he quipped.
Even now, when most of his peers are dying or retiring, Joker Jack continues to collect Oscars and critical plaudits, starring in offbeat comedies like As Good As It Gets and About Schmidt. “I do what I do for the same reason I started,” Nicholson told Uncut in 2003. “I don’t think about retirement any more, because I’m not happy if I’m not expressive. That is at the bottom of it. I like peace and quiet and all that, but in the end I have to express myself.”
Key Works
FIVE EASY PIECES
1970

Nicholson was still a cultish young actor when he made this superb tragicomic character study with his regular writer-director collaborator, Bob Rafelson. He earned an Oscar nomination for playing a boozy, womanising, self-loathing middle-class rebel living a drifter’s life in backwoods America

CHINATOWN
1974

Roman Polanski's lavishly crafted film noir cemented Nicholson's ascent to superstar status in the role of laconic detective Jake Gittes. Robert Towne's Oscar-winning screenplay was inspired by the water and power scandals involving William Mullholland, who gave his name to Hollywood's Mullholland Drive, where Jack lives to this day.

ONE FLEW OVER THE CUCKOO'S NEST
1975

James Caan turned down the anti-heroic asylum inmate role that would come to define Nicholson’s volatile, unhinged genius. Milos Forman’s masterful adaptation of Ken Kesey’s anti-authoritarian novel became one of just three films to date to win all five major Oscars: best picture, director, actor, actress and screenplay.

THE SHINING
1980

Nicholson hit some kind of bug-eyed, psychotic, combustible peak as an unhinged writer who turns on his own family in an empty, snowbound hotel. Jack improvised much of his menacingly funny performance in Stanley Kubrick's superbly rendered Stephen King adaptation.

BATMAN
1989

After striking the most lucrative royalty deal in Hollywood history, Nicholson laughed all the way to the bank as a camp, demonic, larger-than-life Joker in Tim Burton’s brooding reinvention of the comic-book crimefighter. He later branded his wildly overblown performance “a piece of Pop Art

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