Album review

Captain Beefheart And His Magic Bands - Railroadism: Live In The USA 72-81

Dispelling once and for all the myth that Van Vliet was appreciated less in his native land than elsewhere, this excellent trawl through nearly a decade of US truck-stops is as much an opportunity to compare Magic Bands as it is to marvel at the Don. Plenty of high points (the Delta growl of "Old Black Snake" from '72; a swampy "Grow Fins" from NYC's Bottom Line in '77; a strangely tender "Harry Irene" a year later), but on this evidence, the newly semi-reformed '81 line-up—six cuts from Reseda Country Club, California—takes some serious shifting.

Rating: 4 / 10


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Editor's Letter

Reviewed: Kate Bush, Hammersmith Apollo, August 27, 2014


There is a song on "Aerial", Kate Bush's eighth and possibly best album, called "Bertie". "Here comes the sunshine," it begins, "Here comes that son of mine/Here comes the everything/Here's a song and a song for him." Nine years later, here, perhaps is a show for him: an unexpected comeback; a...