At the end of November 2012, Low released a short video trailer for their forthcoming tenth full album, “The Invisible Way”. There is some static, and Mimi Parker talking about some “exceptional peaches”, then a cascading piano line fades in. After 44 seconds, and before the clip has revealed much of a shape as a song, the clip ends.

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“The one thing that saved Mick at this point was Dylan,” Mick Ronson’s wife, Suzi, recalls in a terrific feature on her late husband by Garry Mulholland in the new issue of Uncut. She was talking about the shambles Mick’s career had become after he was dumped by David Bowie and his first two solo albums, Slaughter On 10th Avenue and Play Don’t Worry, had both flopped. Things hadn’t really worked out with the Hunter-Ronson Band, either, and you wondered where Mick might go from here when he unexpectedly hove into view as a member of Dylan’s Rolling Thunder Revue.

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Until I woke up this morning and checked Twitter, I had planned to write something about the new Low album today. The enormously unexpected return of Bowiemania put paid to that; I’ll try again with Low tomorrow, unless in the intervening 24 hours Kevin Shields is finally shamed into pulling his finger out.

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Could be wrong about this, but I think the track I posted and tweeted most often last year was “Sunshine, No Shoes” by the Philadelphia band, Spacin’: I’m going to add it again after the jump. Spacin’, to recap - though you can follow this link to a blog about them - are a project fronted by Jason Killinger, a spin-off from a longish-established Philly psych band called Birds Of Maya; BOM’s amazing “Ready To Howl” album got a belated UK release last year on Agitated.

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Catching a relatively straightfoward performance from Crispin Glover in Tim Burton's Alice In Wonderland over the festive season reminded me to dust down this interview I did with the actor for Uncut back in 2005.

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Happy new year, everybody. Bit of a tentative start to 2013, though the new issue with Gram Parsons on the cover has just arrived in UK shops. A plug, too, for the next Uncut Ultimate Music Guide, dedicated to The Beatles, which I think is out January 17.

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There’s a lot to be said for the charisma of premature death. And the manner of his particular dying – turning blue on a motel floor at the age of 26, his heart fatally faltering, ice cubes being stuffed up his ass in a pathetic attempt to bring him back from the brink after one binge too many – booked Gram parsons an automatic place of honour in a rock’n’roll Valhalla already overcrowded with dead young heroes, Jimi, Janis, Brian Jones, Jim Morrison, Otis Redding, Sam Cooke and more already among its spectral population when Gram died in September, 1973.

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Following on from my blog about Quentin Tarantino's favourite records, I thought I'd post another QT-related titbit, from 1994. In a previous life, as film editor at Melody Maker, I commissioned Jarvis Cocker to review Pulp Fiction for us. Here, then, is Jarvis on Tarantino's early masterpiece...

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We seem to be posting a lot more lists than actual joined-up writing at the moment – Michael’s just put Uncut’s full Top 75 of 2012 on the website, with links, and is promising our Archive/Reissues chart tomorrow – but, hey, here’s another. Among some other good new arrivals, another strong recommendation for Parquet Courts: check them out here.

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Here we are at the end of another year, finishing off our first issue of 2013 and looking forward to the Christmas break, which starts for us on Friday. We’re off then until January 2, when we will no doubt return refreshed to face the New Year. This is therefore the last newsletter for a couple of weeks, so I’ll take the opportunity now to thank you for all your support and enthusiasm over the last 12 months, which has been much appreciated by everyone at Uncut. We hope all our readers enjoy their own Christmas holidays and wish you all the best for the coming year.

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