John Mulvey

SXSW: Albert Hammond Jr, Amy Winehouse, Bloc Party, Good, Bad, Queen



Another guest blogger today, as I put my feet up, listen to an excellent Terry Riley reissue and hand over Wild Mercury Sound to April Long. Like Luke, who did my work for me yesterday, April spent last week at South By Southwest in Austin, Texas. And like Luke, she completely let Uncut down by missing Psychedelic Horseshit. Oh well, here's her fine report:


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John Mulvey

SXSW: Pete Townshend, Bob Mould, Mary Weiss, Charlie Louvin, Holy Shit. . .



As promised, I have a guest blogger at Wild Mercury Sound today. Luke Torn is Uncut's man in Austin, Texas, and here is his report on last week's South By Southwest shenanigans - the 21st SXSW he's attended. Luke didn't get to see Psychedelic Horseshit, sadly, but at least he saw Holy Shit...


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Michael Bonner

Post 1



Hi there, and welcome to the first of UNCUT.co.uk’s weekly film blogs. Every Friday I’ll be looking at the latest films opening at the cinema, getting released on DVD, and...


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John Mulvey

The Black Mountain Army



Just a quick post today, since I'm waiting for a couple of reports on South By Southwest to be filed by Uncut writers. In the meantime, I've been listening to some new stuff from the Vancouver family of bands centred around Black Mountain.


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Allan Jones

TEN YEARS AGO THIS WEEK



HAPPENINGS TEN YEARS TIME AGO

March 19-25

The Eagles' 1976 compilation, Their Greatest Hits 1971-1975, reaches sales of 24 million, equalling those of the previous all-time best seller, Michael Jackson's Thriller.


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Allan Jones

Here’s a brilliant Richmond Fontaine concert. . .



I don’t want to give anyone the impression that all I do all day is sit around, browsing through YouTube files and watching fantastic footage of my favourite bands – that’s Steve Sutherland’s job, after all.


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John Mulvey

Rufus Wainwright's Release The Stars



There's something a little disingenuous about opening your album with a song called "Do I Disappoint You?". This is how the fifth album by Rufus Wainwright begins: with wave after wave of opulent, complex orchestral flourishes, building and building; with a multitracked Martha Wainwright screaming "CHAOS!" and "DESTRUCTION!"; and with Wainwright himself, coy in the midst of so much melodrama. It's a theatrical set-piece pretending to be an anti-climax. It's both lovely and knowingly ridiculous. And it's also rather good.


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John Mulvey

Battles



It seems a long time ago now, when I thought post-rock was the most exciting music in the world. The thing with those early records by Tortoise and such was that they made anything seem possible. Post-rock was never going to supersede rock, but in the mid-'90s it still felt like a fantastically open-minded scene. The bands weren't hung up on the old signifiers of rock, they had this voracious appetite for so much music: jazz, electronica, Krautrock, endlessly obscure diversions from the well-beaten path. There were no apparent rules, which made it all the more disappointing that it became so formulaic so fast.


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Allan Jones

The Night Lou Reed Bopped David Bowie



The news that Lou Reed is going to be playing his brilliantly grim Berlin song cycle in its entirety at London’s Hammersmith Apollo in June reminds me of when he played what was then known as Hammersmith Odeon, in April 1979, a night that ended in some mayhem, with Lou smacking the proverbial fuck out of David Bowie.


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Allan Jones

TEN YEARS AGO THIS WEEK



HAPPENINGS TEN YEARS TIME AGO

March 12 to 18, 1997

Jermaine Stewart, the 80s soul star whose biggest hit was "We Don't Have To Take Our Clothes Off", dies of AIDS-related liver cancer, aged 39. Initially finding fame as a dancer on the long-running TV show Soul Train, Stewart also sang backing vocals for the likes of The Temptations, Tavares, Shalamar and Culture Club.


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Newsletter


Editor's Letter

The 43rd Uncut Playlist Of 2014


Very taken with Africa Express' version of "In C", by Terry Riley, this week. I have a few takes on the piece (50 years old this month, incidentally), the latest being one by Portishead's Adrian Utley from a couple of years back, though I still probably default to what I think is the original...