Terrible weather forecast notwithstanding, I'm feeling a bit jealous of everyone heading off to Glastonbury this morning. Farah is representing for Uncut, and you should keep an eye on our festival blog, where she'll be filing reports all weekend.
It would hardly be a festival without a dash of delirious dance music and NYC’s The Rapture fulfil that requirement brilliantly on Sunday in the Obelisk Arena. Initially they led the punk-funk vanguard with their mix of nervy guitar, rubbery bass, barked vocals and squawking sax, but latest album ‘Pieces Of The People We Love’ was a more adventurous, euphoric and abandoned affair.
I know I vaguely promised not to keep going on about this, but some of Smashing Pumpkins' more extreme fans keep dropping by here. Today's contribution comes from Bobby, who remains convinced I haven't heard "Zeitgeist".
Syd Barrett died coming up to a year ago and I’ve just been interviewed for a Radio 2 documentary about his life and music that will be aired on the anniversary of his passing that also includes contributions from his former band mates in Pink Floyd.
Apart from all the music at last year's Latitude Festival -- and the comedy, the cabaret the poetry, and the gentle rummage through the Sunday papers in the Literary Arena -- I was naturally inclined towards the doings in the Film Arena.
A bit of a round-up today, since I've spent the past week or so reporting on gigs and messing about with the minutiae of putting a mag out. There is, amazingly, a new Karen Dalton album I'm very excited about, though I've only heard two tracks as yet.
Not strictly the name of a band – they claim not to have one – but rather title of the debut LP by a supergroup of sorts, featuring Damon Albarn, Paul Simonon, former Verve guitarist Simon Tong and Afro-beat drummer, Tony Allen.