Michael Bonner

Rob Da Bank, Allan Jones and a rave in the woods



Last night, we went feral in the woods. It’s not often you see your editor at a rave, and a rave in the woods at that, but last night UNCUT’s Allan Jones was getting down with the kids to all manner of dub-step and breakbeat classics. And he didn’t even mention Nick Lowe until 2.40 in the morning.


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John Mulvey

Rodrigo Y Gabriela



It's been a night of being proved wrong, for me at least, at Latitude. As I'm walking across the site, I can hear The Good, The Bad And The Queen, and they sound really good. I'd previously pegged them as a rather self-conscious trip into psychogeography and musicianly fandom for Damon Albarn. But here the overworked fug clears and the elegaic true quality of the songs - and those Simonon basslines, of course - comes to the fore.


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Michael Bonner

The Good, The Bad & The Queen



Damon Albarn, being something of a native as he hails from nearby Colchester, closes tonight's set by The Good, The Bad & The Queen by displaying his intimate knowledge of the A12. It's perhaps not the most rock 'n' roll way to end a festival, but then The Good, The Bad & The Queen aren't necessarily going to play by the rules.


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CSS's Lovefoxxx brings bubble magic to Latitude



Saturday night at Latitude. Another festival, another field, and another show-stopping performance from those bouncy Brazilians CSS. Which means another winning mix of weapons-grade disco sarcasm, sloppy-sexy funk and stoopid-kool attitood.


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John Mulvey

Rickie Lee Jones and Seasick Steve



At some point in the last few years, Rickie Lee Jones appears to have subtly evolved from the Duchess Of Coolsville into a spiritual, raging poet-figure who comes across like a West Coast counterpart of Patti Smith.


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Joe Lean And The Jing Jang Jong: The Next Big Thing?



Trekking down to Latitude's Lake Stage, I hear that the hotly-tipped Joe Lean And The Jing Jang Jong are the new Television. The bad news is they’re not the new Television, but they are a pretty good Strokes.


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Michael Bonner

Clap Your Hands Say Yeah



Ah, so this is art rock, Latitude style. Sad to report, it does nothing very much for me. But I guess it's always going to be hard to follow the Hold Steady.


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Stewart Lee, Royal Court Theatre, Loney Dear -- the UNCUT Arts Blog



It's all gone a bit Late Review round here. In the absence of Tom Paulin, here's UNCUT's Arts Blog. Latitude is not just about music but comedy, literature, theatre, film and cabaret too – plus various hybrids of all of them. Which can mean being assailed by armies of performance-art gonks and patchy student plays about the Iraq war in the middle of a forest.


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Joan As Police Woman packs a piano punch in the Latitude Uncut Arena



It's been an amazing day for startling-voiced female singers at Latitude. Having just been overawed by the ethereal primeval vocals from Bat For Lashes over on the main stage, I wandered into Joan As Policewoman in a busy Uncut Arena.


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John Mulvey

The Hold Steady: yup, still good



How many times have people written this summer about The Hold Steady being the unexpected hits of a festival? Enough times, I guess, for the hardest-working band in showbusiness to become blase about these sort of shows. The thing is, as Craig Finn surveys the crowd with undisguised glee, it's clear that this remarkable band's appetite for rock'n'roll is still heroically potent.


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Editor's Letter

The 35th Uncut Playlist Of 2014


Weird serendipities aplenty this week: versions of "O, Death" on two albums I downloaded one after another, by Mike & Cara Gangloff and Bessie Jones; dovetailing into Sea Island overlap between Jones and Loscil. It makes for a nice blurring between time and genre with, say, the Gangloffs...