John Mulvey

Black Lips: "Good Bad Not Evil"



Quite a curious, though vaguely welcome, phenomenon in London at the moment, where a few American garage and artpunk bands appear to have been adopted by the sort of fashion scene who normally favour pseudo-transgressive electro over gnarly old rock'n'roll. The belated deification of Les Savy Fav is probably the most obvious manifestation of all this. But the sudden prominence of a sloppy-as-hell garage band from Atlanta is definitely another.


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John Mulvey

The Uncut Soundsystem



Apologies there was no blog on Friday: I spent the day at home, mucking about with several thousand CDs and trying, successfully, to buy My Bloody Valentine tickets. Today has been another complicated one of meetings and Italian lessons and list-making, but it did come to a happy zenith about an hour ago when we saluted the undervalued excellence of U-God, footsoldier of the Wu-Tang Clan and one of the stars of their new "8 Diagrams" album, which miraculously arrived in the office this morning.


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John Mulvey

Cat Power's "Jukebox"



For many who’ve seen Cat Power gigs over the years, calmness is not a word that immediately springs to mind when trying to describe Chan Marshall. Neither has she been, for large tracts of her confounding and exceptional career, much of a populist, exactly. Her distrait otherness might have been part of the appeal to some of us, but it would hardly work as a mainstream draw.


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John Mulvey

Jackie O Motherfucker: "Valley Of Fire"



We just had one of those weirdly serendipitous moments on the stereo, accidentally finding affinities, as you don't, between Kanye West and Jackie O Motherfucker.


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Michael Bonner

London Film Festival -- our final round-up



Here's our look at the best films from this year's London Film Festival...


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John Mulvey

The compelling sex life of Aidan John Moffat



Just looking at the booklet which comes with the new Aidan John Moffat (out of Arab Strap) CD. Opposite the page which begins, in big letters, “PART ONE: POOP”, there’s something that isn’t a disclaimer, more a claimer, I suppose. “The characters portrayed in this work are non-fictitious and any resemblance to real persons, living or dead, is entirely intentional.”


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John Mulvey

Today's playlist



Mild frenzy at Uncut today as we put the finishing touches to our end-of-year issue. As a consequence, I've not had a chance to do the full blog, but here's the music we've played in the office. Favourites?


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John Mulvey

The Verve at the Roundhouse



Which comeback is this again? As The Verve mooch onto the stage at the Roundhouse, I’m reminded of a night at Glasgow Barrowlands maybe ten years ago. Nick McCabe had just rejoined the band, and I guess “Bittersweet Symphony” was about to be released. The lights went down, and the impeccable DJ played David Axelrod’s “Holy Are You”. Then the band came on: Simon Jones lunging at the crowd triumphantly; Ashcroft imperious, transported; McCabe a self-effacing figure consumed with his work. Men spilled beer and hugged each other. They’re back!


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John Mulvey

Hot Chip: "Made In The Dark"



After living with the new Hot Chip album for the best part of a week, it feels like my thoughts about it are finally beginning to coalesce. They’re a curious band, I think: a consummate, bright pop band on the one hand; a group whose songs gradually insinuate themselves over time. What initially appears slight, eventually becomes unforgettable.


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Allan Jones

The National's anthems. . .



I wasn’t able in the end to go to see The National at Shepherd’s Bush Empire last night, but Chris Robert’s nobly came off the sub’s bench to file this report.


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Newsletter


Editor's Letter

Robert Plant, Tom Petty, The Beatles, King Crimson, Bobby Womack: inside the new Uncut!


Welcome to the new issue of Uncut! John’s on holiday this week – he was last seen disappearing into darkest Gloucestershire – so it falls to me to show you around this month's edition instead.

Our exclusive cover story finds us catching up with Robert Plant...